the werk
"Baldwin, Shakespeare, Whiteness, and (Anti)Fandom: 'What's love got to do with it?'"
What You Will in the Time of COVID-19: Exploring the Digital Arts, Race and Flexible Resistance
“Hood Feminism”: Whiteness and Segregated (Premodern) Scholarly Discrouse in the Post-Postracial Era
“Is Black so Base a Hue?”: Black Life Matters in Shakespeare’s Titus Andronicus
Shakespeare's White Others (Cambridge UP, 2023) eBook & hardcover; audiobook & Audio CD narrated by author
(Un)Just Acts: Shakespeare and Social Justice in Contemporary Performance
Teaching Guide: “Hood Feminism”: Whiteness and Segregated (Premodern) Scholarly Discrouse in the Post-Postracial Era
Remixing the Family: Blackness and Domesticity in Shakespeare’s Titus Andronicus
"Shake thou to look on’t": Shakespearean White Hands
I Feel Most White When I am…: Foregrounding the "Sharp White Background" of Anchuli Felicia King’s "Keene"
(Early) Modern Literature: Crossing the “Sonic Color Line”
"Blanched with Fear": Reading the Racialized Soundscape in Macbeth
“Unicorns and Fairy Dust": Talking Shakespeare, Performance and Social (In)Justice with Ayanna Thompson and Farah Karim-Cooper
Things of Darkness: “The Blueprint of a Methodology”
Seeking the (In)Visible: Whiteness and Shakespeare Studies
(Early) Modern Literature: Crossing the Color-Line
Code Black: Whiteness and Unmanliness in Hamlet
Shakespeare Studies Forum, Vol. 50 (Fall 2022)
Senior Editor, with Patricia Akhimie & Arthur L. Little, Jr.
Shakespeare Bulletin, “Shakespeare & Social Justice in Contemporary Performance” 39.4, with a formal dedication to my paternal grandmother the late “Mrs. Christine Wright and to all women who have been unjustly impacted by the dual assault of systemic racism and sexism.”
Co-Editor with Sandra Young, Winter 2021
Scholar • Author • Speaker • ACLS/Mellon Foundation Award Winner •
Scholar • Author • Speaker • ACLS/Mellon Foundation Award Winner •